The Good
Last week I read The Black Tower by Louis Bayard. Detective story involving Vidocq, the French Revolution and Louis-Charles, maybe. Great story, hard to put down.
Now I'm reading Hard-Boiled Wonderland and the End of the World by Haruki Murakami (warning: music starts playing automatically). After the crap I waded through earlier this week it is like a cloud of golden light.
The Bad
Downriver by Loren D. Estleman. It tries to be a hard-boiled detective story, but it just doesn't cut it. Not believable, and too much unrealistic dialog. I gave it up after a couple of chapters.
Netherland by Joseph O'Neill. Neurotic clap-trap. Meandering pointlessness. There is a murder, but I suspect he's going to take the whole book to get around to telling the story, and then I'll bet the protagonist is the killer. I gave up a third of the way through.
The Translator by Ward Just. Similar to Netherland, but there were a few bits of substance here. He does wander around a bit, and the wanderings are kind of interesting, and the story does seem to be going somewhere, but then at the end of the book he just falls in a hole. What the hell? Why would you write an entire book just to fall in a hole at the end? Fall in the hole in the first page and save us all a lot of grief.
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