Five Came Back | Official Trailer [HD] | Netflix
Netflix
IAman reports he stayed up till 2AM watching this.
SynopsisFive Came Back explores the experiences of five U.S. film directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – and their frontline work during the Second World War.Referenced films:
- The Battle of Midway (1942, John Ford)
- Prelude to War (1942, Frank Capra)
- The Battle of Russia (1943, Frank Capra)
- Undercover: How to Operate Behind Enemy Lines (1943, John Ford)
- Report from the Aleutians (1943, John Huston)
- The Memphis Belle: A Story of a Flying Fortress (1944, William Wyler)
- The Negro Soldier (1944, Stuart Heisler; produced by Frank Capra)
- Tunisian Victory (1944, John Huston)
- Know Your Enemy: Japan (1945, Frank Capra)
- The Battle of San Pietro (1945, John Huston)
- Nazi Concentration Camps (1945, George Stevens)
- Let There Be Light (1946, John Huston)
- Thunderbolt (1947, William Wyler)
Episode 1 The Mission BeginsThe series looks at the backgrounds of the five directors as World War II begins and their motives for helping the war effort. John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.Episode 2 Combat ZonesThe directors learn their vision for the films is not always permissible by the U.S. government. Wyler is shocked by the racism he encounters against African American soldiers and refused to make a film recruiting black soldiers. Meanwhile, the films' racist depiction of the Japanese versus human depiction of the Germans causes worry for the War Department, which at that time planned to redistribute the Japanese-American population from internment camps into towns across the United States.Episode 3 The Price of VictoryThe five directors return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from posttraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.
Not to be confused with the 1939 melodrama starring Lucille Ball.
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