Kolobok is the main character of an East Slavic fairy-tale with the same name, represented as a small yellow spherical bread-like being. The story is often called "Little Round Bun" and sometimes "The Runaway Bun." - Wikipedia
When conspiracy satire looks this cool, you don’t need facts – you need a phonk soundtrack
Heroic Slavic warriors triumph over evil reptilian invaders to pounding phonk beats. These surreal showdowns have racked up millions of views and spawned a wave of spin-offs, including video games, comic books, and tabletop RPGs. What started as a mock academic lecture quickly turned into a full-blown cultural phenomenon – fueled in part by some deep-rooted medieval nostalgia.
One of the most well-known stories in the Ancient Rus vs. Lizards mythos is 'The tale of how the Russian hero Danila Trumpov drove the accursed Lizards from the Slavic States of America'. In this fictional legend, a Russian version of Donald Trump defeats a shadowy alliance of humanoid lizards, who are supposedly aided by Bill Gates.
Trumpov wields imaginative techniques like the “Republican Egg Squeeze” and the “Texas Burger Bomb,” and even manages to sabotage the lizard lobbyists by replacing the dollar with the ruble. In the end, the forces of Slavic justice prevail, and the Lizards are forced to retreat to the distant planet of Nibiru.
This is just one installment in a sprawling fan-fiction universe created as a joke, but which has grown far beyond its origins. What began as light-hearted parody has developed into a full-fledged narrative world that mixes satire, absurdity, and pseudo-history – while also poking fun at the cult of Russia’s supposed ancient supremacy.
Only now that I am writing this did I realize the title of the show was not House of Dragons, but rather House of the Dragon. I don't suppose it makes any difference.
The show started off this evening with the narrator speaking in Valerian or Targaryen, some made up language live Elvish or Klingon. He's droning along and there is a translator speaking at the same time, but softly. Then we get to the court and a couple of words pop out: 'princess' and 'cousin'. Okay, those two bits of information might be important. I'm not too worried, eventually they will feel the mood has been set and they can switch to English. But then we get to people speaking and they are still speaking this made up language so maybe we need the subtitles. Pop up that menu and what do we see? Audio is set to Polish! Well, that would explain why it sounds like gibberish, so I set it to English and we restarted the show.
Right off the queen is pregnant and she reminds her daughter that her battlefield is bearing children. She dies giving birth. In spite of all our medical advances, childbearing is still a risky business. The risk might be low, maybe one death out of several thousand pregnancies, but it is not zero. Kind of weird that no one ever talks about it. I guess it's kind of like bad car wrecks, everyone knows they are awful when they happen, but usually they happen to someone else so they are not worth discussing.
It looks like they might take a closer look at the whole dragon thing. They start with a dozen dragons and some eggs. Beyond being cool and awesome, postulating the existence of dragons raises some interesting questions, like:
where would you keep them?
how much do they eat?
what kind of metabolism must they have in order to support flight?
I prefer to think the dragon legends come down to us from a previous civilization that had mechanized, flying war machines like the A-10 Warthog. After that civilization collapsed and the art of heavier-than-air aircraft was lost, how would you explain something like an A-10 to your kids? "There were fire breathing monsters that flew through the air and destroyed everything in their path". That's how.
Even though I've been here before, it's a little difficult to get over the fantastic creatures, but it's so well done I quickly forgot that and became reabsorbed in the story.
More tales from the Witcher universe. Costumes, sets and action are great. Plot is pretty straightforward, dialog is not bad. Some of it is clever, some of it is clumsy. Cute girls, manly men, and bizarre eye makeup on the empress.
Carnival Row Season 1 - Official Trailer | Prime Video
Amazon Prime Video
Here be spoilers.
Carnival Row is a fantastic mix of Victorian England, steampunk engineering and magical creatures. The show starts very grimly with the slaughter of a band of innocents at the hands of soldiers, and then the wreck of a sailing ship with the loss of all passengers and crew except for our heroine, which reminds us that life in some places and in some situations can be brutal.
There are two warring factions on either side of the ocean. The fae (magical creatures like faeries and fauns) are being hunted to extinction by The Pact. The Burgue has been fighting a long war against The Pact, nominally on the side of the fae, but have recently abandoned their effort. Sounds kind of like our war against the Taliban. Now the fae are trying to escape their homeland by selling themselves into indentured servitude to buy passage on a ship. All those passengers on the wrecked sailing vessel? Fae.
Our heroine's name is Vignette Stonemoss - where do they come up with these names? I don't know but thy manage to conjure up a bunch of them, both for people and things, that are different than what we use, but the way they are said and used leaves no doubt as to their meaning. Reminds me of some of the weird names the English have for places, places with names that mean thing like 'deepest hole in the world', or 'abandon all hope', but they use those names just as though they were 'happy valley'.
We've got real tangle of love stories and illicit couplings. In a previous life Philo, the copper, was a soldier fighting the Pact. While overseas, he meets and falls in love with Vignette, a faery, complete with wings. Basically a grown up Tinkerbell. War separates them and he returns to Burgue. Now he is carrying on with his widowed landlady. Philo, it turns out, is the half-blood son of the Prime Minister and a formerly popular faery singer.
The Prime Minister's arch rival has a daughter who has been sequestered her entire life but is now breaking out, and who does she hook up with? The Prime Minister's son, who, it turns out, is her brother.
And then there are the series of gruesome, brutal murders carried out by a monster who bears a striking resemblance to Cthulhu. Who is this monster controlled by? A woman with a name suggesting reverence. She is definitely off her rocker, but she continues to play the upright citizen very successfully.
Towards the end, the good citizens of Burgue start rounding up all the fae and confining them to their own quarter of the city. Sounds a whole lot like the muslim migrants from the middle east when they come to Europe.
To top it all we've got a real Beauty and the Beast story where the sister of the man who financed the sailing ship (that wrecked, and ruined him financially) runs off with a fabulously wealthy faun, possibly the only one in existence.
While the production values (sets, props, attire, etc.) are great, they kind of cheaped out on the faery wings. Even if faeries only weigh half as much as human, you are still going to need considerable muscles to flap them along with skeletal structures to match. They skipped all that, they just gave them bumble-bee wings and stuck them to their backs, much like the wings on the minor fairies in the Maleficent video clip, not like Maleficent's glorious wings.
Since this imaginary world parallels our own, it also has it's own religion. During the show, several characters exclaim 'by the martyr' or something similar, much like we might say 'oh my lord'. Okay, but then we visit an orphanage and they have a sculpture of the martyr hanging on the wall, much like you might see in a Catholic church, except instead of him being nailed to a cross, he has been hung by the neck. This only shows up briefly in a couple of dimly lit scenes so you could miss it. I didn't and I was shocked. Odd that I would have that reaction to this depiction of the martyr while scenes of the crucifixion don't bother me in the least. Perhaps because scenes of the crucifixion are fairly common in our world. Hanging scenes mostly show up in movies and they are set up to make you feel something.
A whole of good and a whole lot of bad. The visuals are great, the plot and dialog are meh. Geralt (our hero), for those of you aren't familiar with this whole sub-culture, is one a handful of dedicated monster killers. They are in demand as this world is full of monsters, spectacular monsters, each one different and bizarre. They are the best part of this show.
There is a big story arc involving at least three factions vying for power and control, but the dialog, which you might hope would clarify the situation only seems to confuse it further. It doesn't help that everyone seems to talk in curt, profound but obscure statements.
Yennafer, who I remember from season 1, is back in all her bosumy goodness. Meanwhile Geralt has acquired a cute little teenage blond princess who looks like she was plucked right out of Frozen. And she wants to be a monster killer just like her great big protector Geralt. Okay, fine, being small makes you a smaller target, and if you have the strength and coordination you could be nimble, which could help. But I think she would be better off with stand-off weapons, like bows and arrows, or by commanding a horde of trolls. I suppose it's a matter of scale, but I just can't imagine her being able to tackle any of the monster's we've seen so far, especially since Geralt only seems to survive most of these encounters by the skin of his teeth.
Anyway, the politics are incomprehensible, but the scenery, costumes, monsters and special effects are all great.