DARK Season 1 Official Trailer # 2 (2017) Netflix Mystery TV Series HD
ONE Media
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| Winden Germany (Blue Marker) and Philippsburg Nuclear Power Plant (Red Marker) |
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| Clockwork Time Machine Image adjusted using Windows Image Viewer |
Silicon Forest
If the type is too small, Ctrl+ is your friend
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| Winden Germany (Blue Marker) and Philippsburg Nuclear Power Plant (Red Marker) |
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| Clockwork Time Machine Image adjusted using Windows Image Viewer |
| Actor | Surname | Title | Character | Surname | ||
| * | Deanna | Allison | Emma | Leaphorn | Joe's wife | |
| * | Tonantzin | Carmelo | Border Patrol Agent | Eleanda | Garza | |
| * | John | Diehl | B.J. | Vines | ghost | |
| * | Jenna | Elfman | FBI Agent | Sylvia | Washington | |
| * | Kiowa | Gordon | Officer | Jim | Chee | |
| * | Bruce | Greenwood | Tom | Spenser | oil baron | |
| * | Christopher | Heyerdahl | Dr. | Reynolds | ||
| * | Derek | Hinkey | Shorty | Bowlegs | George's father | |
| * | Robert | Knepper | the Priest | |||
| * | Bodhi Okuma | Linton | George | Bowlegs | Shorty's son | |
| * | A | Martinez | Sheriff | Lawrence Gordo | Sena | |
| * | Jessica | Matten | Border Patrol Agent | Bernadette | Manuelito | |
| * | Zahn | McClarnon | Lieutenant | Joe | Leaphorn | |
| * | Alex | Meraz | Border Patrol Agent | Ivan | Muños | |
| * | Joseph | Runningfox | Henry | Leaphorn | Joe's father | |
| * | Jeri | Ryan | Rosemary | Vines | widow | |
| * | Terry | Serpico | Border Patrol Chief | Ed | Henry | |
| Wade | Adakai | Officer | Gary | Felix | ||
| Ryan | Begay | Guy | Atcitty | |||
| Natalie | Benally | Officer | Natalie | Bluehouse | ||
| Phil | Burke | Michael | Halsey | |||
| Tonantzin | Carmelo | |||||
| Melissa | Chambers | Gladine | ||||
| Casimere | Jollette | Suzanne | Thompson | |||
| Andersen | Kee | Officer | Harold | Bigman | ||
| Sarah | Luther | Joyce | Leaphorn | |||
| Alex | Meraz | |||||
| Carly | Roland | Teddi | Isaacs | |||
| Raoul Max | Trujillo | Budge | Baca | |||
| Betty Ann | Tsosie | Margaret | Cigaret | |||
| DezBaa' | Helen | Atcitty |
Another fine article from Russia. Suck it, White House pansies.
African Game of Thrones: How will the new Zulu king deal with rebellious relatives? by Kubendran Chetty
The death of South Africa’s Zulu king, Goodwill Zwelithini, three years ago triggered a bitter family feud over succession – one that has found its way to the country’s courts and remains unresolved.
The Zulu nation is the largest ethnic group in the country with an estimated 15 million Zulu-speaking people, predominantly in the KwaZulu-Natal region, whose monarchy stretches back to the 16th century. They are synonymous with resisting British colonialism and oppression in the early 1800s, and the Zulu king is arguably the most influential traditional leader in South Africa.
King Zwelithini’s son, Misuzulu KwaZwelithini, was recognized as his successor and assumed a powerful position that controls vast resources and political power. However, his seat on the throne is being challenged by his uncle, Prince Mbonisi Ka Bhekuzulu, and his half-brother, Prince Simakade Zulu, who is the eldest son of the late king, but was born out of wedlock, and a list of aunts and uncles who have contested the legitimacy of his rule through the country’s courts. At the same time, other family members are firmly behind Misuzulu’s right to the throne.
The lasting conflict between relatives ensures the African ‘Game of Thrones’-like drama has played out in public view, embarrassingly exposing the bitter divisions in the royal family and putting on display the fractious relationships that now exist between those who support the king and those who are firmly against him.
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| Dragon Breath |
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| Some of the biggest—and most iconic—flying animals in all of history. And non-history. From How Dragons Fly: When Biology Trumps Physics - Naturalist |
If you have a tame dragon, as long as you gave it a cow every week or so, it would probably be very happy just hanging out in its cave, dreaming ferocious dragon dreams. You need it to go on a mission, you give it a couple of pounds of amphetamines and a barrel of sugar water or alcohol and he'd probably be good for an hour. If you can't complete your mission in an hour with a dragon you probably need to rethink your strategy. You can probably only ask them to fly a mission maybe once a week, and for a large, old dragon, maybe only once a month.
As for the fire breathing, digestion produces methane, so dragons might have a special bladder where they can store methane. All you need is to belch out that methane and a little spark and you've got a natural flame thrower. Striking a couple of rocks together should be enough to get you a spark to ignite the methane. Or maybe dragons grow special teeth that spark when struck together.
Dragon bones are going to need to be very light, like bird bones. And that armored skin is going to need to be something light weight, not thick and heavy like a crocodile. I dunno, maybe make the armor out of same thing as space shuttle tiles, but grow it organically. I don't know how you could grow such tiles, but I don't know how we grow teeth either. In any case, dragons are totally possible. Nobody is going to create one any time soon, but maybe in a thousand years we will have learned enough biology that we would be able to. Then we could have the nine zillionth season of Game of Thrones, but for real.
Update - Stu did some math on this.
The unsolved murders of several tourists in Croatia's second city become the pretext for a spirited, mercurial tour of the former Yugoslav state's relationship to fascism.
By Jessica Kiang
The city of Split has long been a tourist magnet, famous for the churches and flagstones of its picturesque Old Town, and for the beauty of the rocky, sparkling Croatian coastline. But not all visitors come for the culture. Some seek the trashier pleasures of rowdy bars and cheap drinks, and all they know of the area’s history is that the spectacular medieval fortress clinging to a nearby cliffside was a “Game of Thrones” location.
Split is also where US filmmaker Travis Wilkerson (“Did You Wonder Who Fired the Gun?”) recently lived for a stretch, having resolved — and then failing — to make a movie about the dissolution of Yugoslavia. This he tells us on camera, at the beginning of “Through the Graves the Wind is Blowing,” the film he made instead of that one, and it’s an admission of compromise that somehow never compromises the integrity of what follows: a witty, dismayed, eccentric and fascinating outsider’s-eye tribute to a deeply split Split.
Wilkerson starts by introducing local homicide detective Ivan Peric, a character who could have walked straight out of a deconstructed neo-noir: a hangdog Sam Spade as written by Paul Auster channeling Franz Kafka. Peric, who only joined the force to avoid working in tourism, is on the political outs with his bosses and finds himself somewhat “working in tourism anyway,” when he’s assigned to several cases no one else wants, namely the murders of several holidaymakers in the area. It’s a sensationalist slant that Wilkerson is quick to puncture: this movie is not some true-crime serial-killer exposé. In fact, the rather absurd deaths, five of which are recounted in Peric’s lugubrious police-jotter manner on the spots where they occurred, are unconnected. Except that each is further evidence of the intense dislike the locals have for the shrieking, vomiting, urinating hordes that treat their town with such disrespect.
Peric faces insurmountable apathy and possibly actual obstruction in investigating his rapidly cooling cases. The spear (probably a “Game of Thrones” replica) used in one murder disappears. The authorities will not allow him access to another crime scene because it’s a local attraction at which the victim was allegedly killed for taking too many selfies, and they can’t afford to shut it down during high season. But even while he’s discussing the killings, the film’s other main character starts vying for our attention: Split itself is crowding in from the edge of Wilkerson’s gorgeously high-contrast black-and-white frames.
This is not the Split of any tourist brochure. Wilkerson’s camera is trained on the suburbs, the derelict malls, the abandoned motels, the once-futuristic plazas grown scrubby with weeds and angry with graffiti. Over striking dystopian cityscapes, often mirrored in the perfectly silver standing water of a permanent puddle or two, Wilkerson narrates his idiosyncratic 20th century history of Split. He makes particular reference to the shameful relationship to fascism. Croatia as an independent state first existed under the Ustaše, the local fascist party installed as a puppet regime in 1941 by the Nazis, and so the story of Croatian nationalism is inextricably entwined with its far-right past.
It’s an association Wilkerson finds written across the city today in horribly prevalent swastika and Ustaše-symbol graffiti, deeply knitted into the local football scene and given its most awful expression further inland at the Jasenovac concentration camp, which had the grim distinction of being the largest such European extermination factory not to have been built by the Germans. And yet the town has another history too, of resistance and resilience and heroic acts of self-sacrifice which Wilkerson also relates in his low, frank, warm narration. Most satisfyingly, for a film titled after a line in the Leonard Cohen song “Partisan,” he tells the story of Rade Koncar, the WWII partisan whose statue, in 2018, fell onto the drunken neo-fascist who was trying to deface it. “Rade Koncar,” says Wilkerson with something like joy, “Still fucking up fascists 70 years after they killed him.”
The irreverent, intimate voiceover is one way he saps the potential pretension or self-seriousness out of this dynamically entertaining film, but he also achieves a lovely conspiracy with the viewer by showing his work, its rough edges, its errata and false starts. It is ironic and a little subversive that the punchy imagery — hyperreal photography, text on screen, blood-spatter overlays, CCTV footage — should be so agitprop in its aesthetic. Wilkerson has the very opposite of propaganda’s agenda, questioning dogmas and doubting certainties and making “Through the Graves the Wind is Blowing” a beautifully monochromatic meditation on how nothing is actually black and white.
Looked up the fortress in Split Croatia. It's quite the place. Google Maps has good 3D View of the place, and Chrome now has a video capture function, so I thought I'd give it a try. Not as smooth as I would have liked, but good enough for this post.
Duchess Elisabeth in Bavaria (1837 – 1898), nicknamed Sisi, was Empress of Austria and Queen of Hungary from her marriage to Emperor Franz Joseph I in 1854 until her assassination in 1898. . . .
In 1897, her sister, Sophie, died in an accidental fire at the Bazar de la Charité charity event in Paris. While travelling in Geneva in 1898, Elisabeth was stabbed in the heart by an Italian anarchist named Luigi Lucheni. Her tenure of 44 years was the longest of any Austrian empress. - Wikipedia
Fabulous wealth, fabulous palaces, fabulous clothes, rigid social protocol, simmering unrest, neighbors threatening war, all the stuff we got in Game of Thrones but this time for real.
There were a couple of odd bits.
Franz's mother gives Elisabeth a necklace. Franz's brother tells her that the necklace was worn by Marie Antoinette at her execution. While there are a zillion pages talking about a fancy diamond necklace that a couple of jewelers tried to sell to Marie, I found nothing about one from her execution.
When the royal doctor conducts the royal purity test he finds Elisabeth's hymen is broken. Now it comes out that this can happen to a girl from horseback riding. Huh, the things nobody ever tells me. Google is no help, some pages say it's true, others say not.
Robert Stephenson, British railway engineer, has an oddly clandestine meeting with Franz Joseph about building a railroad in Austria. It actually did get built:
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| Semmering Railway |
The Semmering Railway, built over 41 km of high mountains between 1848 and 1854, is one of the greatest feats of civil engineering from this pioneering phase of railway building. The high standard of the tunnels, viaducts and other works has ensured the continuous use of the line up to the present day. - UNESCO
Is The Plagues of Breslau Based on a True Story?
No, ‘The Plagues of Breslau’ is not based on a true story. It is a crime drama, written by Patryk Vega and Sylwia Koperska-Mrozinska. In the film, Magda uses the Week of Plague as the historical reference for the serial killings happening in Wroclaw. She tells the story of Frederick the Great. After taking over Breslau in 1941, he wanted it to become a great city. For this, he needed to weed out all the bad things that would hold back its peace and prosperity. He considered six human fallacies to be the plagues that would never let them grow.
They were degeneracy, pillaging, corruption, slandering, oppression, and treachery. To show everyone how serious he was considering his plans, he devised the Week of Plagues. Every day, apart from Sunday, one person, who had committed any of these crimes, would be publically executed. Apparently, Magda reads about it in a book of local history. In reality, there is no account of any such practice in the reign of Frederick the Great.I think Diksha means 1741, not 1941. Frederick the Great died in 1786. He went to war against Austria in 1741. Nine months later they signed the Treaty of Breslau. Breslau is the German name for Wroclaw.
"Few actresses portray badassery as vividly as Noomi Rapace. Achieving international fame with the Swedish trilogy of Girl With the Dragon Tattoo films in which she so memorably played Lisbeth Salander, the talented performer has still not found an equivalent breakout role in American films. That unfortunate streak continues with Vicky Jewson's Netflix thriller in which Rapace plays a character inspired by the real-life British bodyguard Jacquie Davis. Rapace gives the film her all, delivering an intense, physically demanding performance, but Close doesn't get close enough to transcending its action-movie clichés."We have lots of action, and Noomi kicks ass, but overall the story is pretty weak. Noomi is a CPO (Close Protection Officer? Operator? aka bodygaurd) for Zoe, a young heiress. Her stepmom, Rima, is played by Indira Varma, the poisoner Ellaria Sand from Game of Thrones. Halfway through the movie it is revealed the Rima has ordered the assassination of her step daughter (typecasting much?), but then more bad guys enter the picture and at the end we are left wondering what the hell? No matter, the plot was never more than a scaffold to hang the action scenes on. The one in the fish tank in the fishing boat was new, different, cool, bizarre? Can a death be 'cool'?
Remember, remember,Nursery rhyme made famous (in my head) by V for Vendetta, which is where Anonymous got their masks.
The Fifth of November,
Gunpowder treason and plot;
For I see no reason
Why Gunpowder Treason
Should ever be forgot.
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| The Gunpowder Plot Conspirators, 1605 |
The stories became crazier and crazier — Space plants from the moon! Assassination by laser! Invisible spies! Housecats trained to kill! Politicians hypnotised into becoming children! A Shrink Ray! — and typified the swinging cool of 1960s Britain. - TV TropesQuote of the Day:
Rigg has long been an outspoken critic of feminism, saying in 1969, "Women are in a much stronger position than men.I suspect that is only true if you are confident and believe in yourself.
Rigg was made a Commander of the Order of the British Empire (CBE) in the 1988 New Year Honours and a Dame Commander of the Order of the British Empire (DBE) in the 1994 Birthday Honours.
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| The Last King |
The Last King (original Norwegian title Birkebeinerne) is a historical drama that film centers on the efforts of the Birkebeiner loyalists to protect the infant heir to the Norwegian throne. The film is set during the Civil war era in Norway during the 13th century. - paraphrased from Wikipedia.We watched this last night on Netflix. The first thing we noticed was the big, red-haired wilding from Game of Thrones, Kristofer Hivju, in a starring role. Well, of course, you'll find him here. Who is better at swinging an axe in brutal winter conditions?
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| Skiing Birchlegs Crossing the Mountain with the Royal Child, 1869, by Knud Bergslien. |
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| Peter Dinklage (the dwarf actor) as Tyrion Lannister |
In an interview, Cornwell said: "For some reason the history of the Anglo-Saxons isn’t much taught in Britain (where I grew up) and it struck me as weird that the English really had no idea where their country came from." - WikipediaThe story is set in the late 9th Century (877, I think the opening screen said). I thought this was like the time of King Arthur, but Arthur is from the late 5th and early 6th centuries AD. We do have some historical characters, like
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| Planets |
The author Ursula K. Le Guin said it best in her National Book Award acceptance speech:
We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art—the art of words.The 'divine right of kings'. Huh, haven't heard that phrase in a long time, and certainly not in reference to the present. People have been trying to come up with an alternative to capitalism for a long time. Communism is the only idea that has gotten any traction, and the implosion of the Soviet Union gave it a big black mark. Red China is still going strong, though all progress seems to be because of liberal capitalist modifications to their system.
Consider the two great laments of the modern American woman. For the unmarried woman, it is the reality that she must marry later in life than ever before, if she is able to marry at all. For the married woman, it is that unlike generations of women before her, she cannot afford to stay home with her children unless she is fortunate enough to have married to a man of the financial elite.Ok, not all women want to get married, have children, and stay home and raise them, but I believe that is the desire of a large majority. Vox blames this on the women's rights movement, but I'm not sure that's the case. I'm more inclined to blame it on unbridled capitalism and war mongering. But I could be wrong. It might just be that we've plundered all the easily obtained resources, we've been fruitful and multiplied, and now everything is tougher for most everyone. There is yet another way to look at it and that is we have seen how fancy the future could be and we all want part of it, we are no longer satisfied with 40 acres and a cow.
| Judy Lynn and Lester Del Rey at Minicon 8 in 1974. |